Within the works and acts of men, there is the language of geometry.
I could venture a guess as to why these things are happening or my relations with Leonardo da Vinci, but how is any of this even possible? The following are a few of Leonardo da Vinci’ religious works with features laid over from stones discovered on the grounds of IndianRock.art. I will go into detail a bit, when I find some free time.
John the Baptist by Leonardo da Vinci
Simple enough to decipher this piece: The tipping of my hand represents the physical act of the baptism. The one that discovers this, in the moment of realization, is performing the baptism, figuratively. This is Leonardo da Vinci’ intent here. Also, the positioning of my hand in front of the illuminated portion of the work, gives some of the obscure art, hidden within the shadows, an opportunity to shine. Lastly, John’s righthand position is representative of the 33-Rule, and John’s lefthand is mirroring my righthand positioning after the act of baptizing.
Salvator Mundi by Leonardo da Vinci
The Salvator Mundi, in my opinion, is more than a work of art, and it is so much more than Leonardo’s ability to hide secret messages or perform ‘disappearing Angel’ parlor tricks. No. The Salvator Mundi is divine in nature and purpose. It is of God, a manifestation upon the Earth, as is the IndianRock.art Cornerstone. They are tools of Prophets and of the Seers.
Last Supper by Leonardo da Vinci
The ‘Last Supper’ is complicated. I plan on getting back to studying it, when I find some time. I wonder though, do you see it? Can you break it down? If so, can you keep a secret?
Baptism of Christ by Leonardo da Vinci
From what I understand, the ‘Baptism of Christ’ is not Leonardo’ work, only the figure to the far left. In addition, though, I believe that the backdrop and John’s scepter is of his hand. Anyways, this piece, like the ‘Last Supper’, is extremely busy. I hope to tackle them when I find time.
