IndianRock.art is one man’s dream, coming to life: a dream of peace and harmony, in a world of turmoil and suffering. Look no further than to Jesus Christ: One man can change the world, if that man is right with God and is given the knowledge and blessing to proceed. Hello. My name is Paul Marak, and IndianRock.art is that dream coming to fruition.
Spiritually, IndianRock.art is a destination for souls searching to enhance their understanding of the way and of the path; that is to say, at IndianRock.art- you are the canoe, and I am the paddle. Outward, the river flows. Inward, we must go.
…from the phase1 conclusionary post– 3/10/2026 Garden Site category
Within their own stories, the indigenous people of the United States of America speak of the stones: that the spirit of their forefathers exist in the stones and that the stones retain an ancestral history. If true, what are the perimeters that help to facilitate this process, and how does one retrieve information from these stones?
On a rocky hilltop in the Ozark forest of southern Missouri, I planted a garden. In that garden, I discovered some stones. One thing led to another. Amidst that journey: God spoke, the Christ rose, and Leonardo da Vinci revealed. Reborn anew- are a star, sacred geometry, and an ancestral knowledge. And there, upon the stones, is the dance of shadow and light. It is within this, that the restless spirit of an ancestral people communicate: through a complex and measurable expression that I refer to as ‘Indian Rock Art’.
All of the evidence presented lends itself to proving that the Garden Site is a work area, where a carver carved into stones with stone tools. That carver, then, left the carving and the tools exactly how I unearthed them, minus a slight disturbance from a tree growing within close proximity. Additionally, above all of the presented physical evidence, there is an extraordinary spiritual and religious aspect: a supernatural phenomenon involving a new star, synchronicities, improbable geometric parallels, an artistic style evidently never officially documented in the archaeological record, and the remarkable, albeit unconventional, decoding of Leonardo da Vinci’ religious works! That’s a bunch to digest, I know. I do apologize; and at the same time, am obligated to laying it out as it presents itself. …to a safe degree, of course.
And while I’m laying it out there: there is a huge ‘Samuel the Lamanite’ element and a direct connection with the earlier days of Joseph Smith Jr. As for me, this is not open for discussion; other than to say, “Joseph is my friend, and without what God allowed him to do then, He would not have ask me to do these things today. This goes double for Leonardo da Vinci and for the ancient people that carved into all of the stones. How ever that measures out, I remain on the right side of God.”
Not unlike the very person that carved into these stones: The divine union between the artisan and his work, specifically a carpenter or stone mason, help him to transcend beyond the boundaries that attempt to hide truths that would otherwise free humanity from the self-prescribed enslavement that has sadly become a mass societal norm. …breathe, then seek inward.
The stone is real, God lives, and the Christ comes.
Completing the task, I unearth these stones in the name of the Great Spirit and for the indigenous tribes of the United States of America. …descendants of the Lamanite: The chosen ones.
The Mission: The ongoing mission is to restore a lost history of the ancient American peoples; and in so, humbly offering the hand of the Christ to the nearly 600 indigenous tribes of the United States of America.
IndianRock.art, like davinci4jesus.com is operated by Carved Canoe LLC, performing as archaeological excavator, land development/maintenance, and the admin stuff.