Stones have hardly been an interest of mine, and the only time I’ve dug in the ground is for gardening or for gathering nightcrawlers. My skillset, as it pertains to IndianRock.art, can be broken down into two disciplines. One is handtools and dynamic anatomic geometry, and the other is focused observation. My background is carpentry, specifically finish-work and stair banister install. How this ties into successful discoveries made at IndianRock.art is simple: I have been trained to recognize repeating geometric patterns. This includes the very obvious language shared by the millions of stones scattered about the landscape and the unnatural geometric processes that caused it.
The Claim: There are stones that have been carved, and there are the stone tools that created them. They rest, side by side, at IndianRock.art. Carved and sculpted upon these artifacts are reliefs of megafauna and humans. Of the human depictions, there are variations of a Birdman.
As far as dating the IndianRock.art archaeological site, I applied some sound logic: Stone carvings of megafauna had to have been worked during that time period. Also, because of the size of this discovery, in terms of geography and volume(verifiable collection unearthed in Colorado), the stonework would likely have taken a substantial stationary population, organized and spanning over many generations. Additionally, there hasn’t been any comprehensive authentication of this type of artistry or craftmanship within the historic record of the Americas or in verbal teachings within any Indigenous Tribes that have called this place home for thousands of years. Finally, the only connection that I can make that links this discovery with existing facts, other than spiritual or religious, is that many Indigenous Tribes state that “the forefathers exist in the stones” and then there’s the Birdman of Cahokia. As of the former, that story has been documented many times. And of the latter, I have samples of his caricature carved in stones in a seemingly ritualistic and ceremonial manner.
Notation: Other than placing this discovery in the mists of the Pleistocene Stone Age, I cannot effectively date these findings within that period, due to a lack of more verifiable data. Additionally, it is not in the interest of IndianRock.art to allow mainstream academia to force a timestamp in order to uphold a narrative that might or might not be true in its entirety; however, I do believe that most professionals in the field have the best intentions when trying to come to consensus. I just think that some of their variables are a bit off and lead to erroneous conclusions. Regardless though, the following images are from one small dig site and are a glimpse into the findings within the other larger sites at IndianRock.art. They are the absolute rock-solid evidential truth that backs the authenticity of IndianRock.art and the era from which I claim they were created.
Solstice/Garden Site
Basically, I kicked surface stones until one didn’t budge. I then dug a hole and retrieved the small handstones that surrounded the larger stones in the center. After exposing the stones, I performed a forensic analysis in hopes of deciphering the stone’s repeating geometric similarities. The following images are an account of my findings.
Basically, what we are looking at is a basestone with a cairn-stone atop. There are a few stones set beside the basestone, used as a wedge and buttress. Together, along with the Garden Site cairn-stone nearby, it is presumed to be a solar marker that forms an imaginary line leading to the horizon’s winter solstice sunrise.
Below, the image carousel highlights the forensics used for supporting the IndianRock.art claim.
Below, this image carousel shows the New Star’ geometric formation used as a measuring tool that helps in separating artifacts from random stones.
This next group of images are of the Hummingbird Stone(buttress stone) and several fingerstones that were used to carve the tiny bird in flight.
This next three shots are of the basestone resting on its back and the third is of it sitting upright next to the large Cornerstone. The light source in the first image is being directed from the east if the stone were standing like in the third image and the viewer was facing south. The second image shows the dimensions of the stone matching perfectly with that of the New Star, aka the 33degree Star. The last image shows the basestone sitting upright next to the larger Cornerstone.
The next single image was shot in the dark while rotating a light source around the perimeter of the basestone. In this position, there appears to be a face gazing upwards while a raptor soars above gazing downward. The point-of-view is coming from up above the subject matter, as if it were being gazed upon from the heavens.
The next image is of the Hummingbird Stone. It not only depicts the bird. Amazingly, the stonemason correctly carved the light distortion that was caused by its quickly fluttering wings.
In summary, the authenticating of the stones at IndianRock.art is based in proven forensic analysis, overwhelming geometric synchronicities, and the hard evidence. There is no guesswork involved or misleading speculation. There is no agenda, other than what the evidence provides. – Paul Marak
