from the stone
Perhaps, all exists in the records, and all of the records are cut into the stones.
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Bleeding Ear Stone
Tag: Paul marak
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Chief/Chiefess Stone #2
There are a male and female depicted in the stones at IndianRock.art. I have seen their carved faces on several occasions. They are shown here as old-aged and appear to be disfigured or in a state of degradation or decomposition. The female is gazing to the right. She is slender, with subtle cheek bones, small nose, and hardly a chin-line. Looking to the left, is the male. He appears shorter than her but larger in diameter. His nose is large with a mole or a stud jewel. He has high cheek bones, prominent brow-line, and a slightly protruding forehead.
The CC2 stone was discovered directly after locating the Indianhead Site, where the first CC stone was unearthed. Both of them were found separate, leaning against a larger stone and in the same manner.
Based on my own observations and records, I’ve come to the conclusion that the shape and contours of this stone are not accidental. They are causal and symbolic, utilitarian and spiritual. The stone is a tool, not only in the physical sense: The stone is a spiritual tool, as well. It is, to the artisan, a concrete connection to his work. Also, in the focused meditation of his repetitive movements, it became an echo of the journey that is the memory of his life- carved out in the distant past; and now, reverberating in the present time.
Notice that the overall shape mirrors the geometry of the New Star. This is no coincidence. The #CC2 stone was a tool used by an ancient stone carver- 100% authentic and 100% IndianRock.art.
Chief/Chiefess Stone #CC2
from the stone
Alone in God’ wilderness, he sought the truth. He asked the question, not for himself, but in regard to the salvatory path of humanity: “Which is the way?”
Confusion is a result of vibrational distortion: a lack of optimum clarity. One cannot find the way, if one does not learn to identify the interference. Learn to move with intention, down to the molecular and even the atomic. Observe and recognize. See past the synthesized misrepresentation of the substance that is referred to as ‘reality’. Build your faith by seeking God, from the heart and for the heart. Understand that you are not complete, as no one is made whole without unity of the spirit with the divine source.
Reunifying the nearly six-hundred indigenous tribes of the United States of America: Before the many stories, there was one story.
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Phase1 Summary & Conclusion
Within their own stories, the indigenous people of the United States of America speak of the stones: that the spirit of their forefathers exist in the stones and that the stones retain an ancestral history. If true, what are the perimeters that help to facilitate this process, and how does one retrieve information from these stones? – phase1 Garden Site Hypothesis: A people in the distant past- quarried stones, carved into those stones, then left the carvings and the tools; where then, I unearthed them, undisturbed, in the present time.
phase1 Post Analysis Summary
On a rocky hilltop in the Ozark forest of southern Missouri, I planted a garden. In that garden, I discovered some stones. One thing led to another. Amidst that journey: God spoke, the Christ rose, and Leonardo da Vinci revealed. Reborn anew- are a star, sacred geometry, and an ancestral knowledge. And there, upon the stones, is the dance of shadow and light. It is within this, that the restless spirit of an ancestral people communicate: through a complex and measurable expression that I refer to as ‘Indian Rock Art’. More can be found at https://indianrock.art./blog
In addition to the forementioned, I gathered substantial hard evidence that supports the IndianRock.art phase1 hypothesis, as sampled in the images below and in a series of posts found at https://indianrock.art/category/garden-site. I encourage all go and view the findings for yourselves, if you haven’t already.
phase1 Conclusion
All of the evidence presented lends itself to proving that the Garden Site is a work area, where a carver carved into stones with stone tools. That carver, then, left the carving and the tools exactly how I unearthed them, minus a slight disturbance from a tree growing within close proximity. Additionally, above all of the presented physical evidence, there is an extraordinary spiritual and religious aspect: a supernatural phenomenon involving a new star, synchronicities, improbable geometric parallels, an artistic style evidently never officially documented in the archaeological record, and the remarkable, albeit unconventional, decoding of Leonardo da Vinci’ religious works! That’s a bunch to digest, I know. I do apologize; and at the same time, am obligated to laying it out as it presents itself. …to a safe degree, of course.
And while I’m laying it out there: there is a huge ‘Samuel the Lamanite’ element and a direct connection with the earlier days of Joseph Smith Jr. As for me, this is not open for discussion; other than to say, “Joseph is my friend, and without what God allowed him to do then, He would not have ask me to do these things today. This goes double for Leonardo da Vinci and for the ancient people that carved into all of the stones. How ever that measures out, I remain on the right side of God.”
phase1 Final Words
Not unlike the very person that carved into these stones: The divine union between the artisan and his work, specifically a carpenter or stone mason, help him to transcend beyond the boundaries that attempt to hide truths that would otherwise free humanity from the self-prescribed enslavement that has sadly become a mass societal norm. …breathe, then seek inward.
The stone is real, God lives, and the Christ comes.
Timeline 2020-2026
- Moved to Missouri
- noticed repeating patterns
- started collecting stones
- discover Indianhead Site
- discover Chief/Chiefess stones
- discover the Cornerstone #01
- discover dissected frog in garden pond
- discover brown stone and white stone
- spirit visitation ‘two illuminated spirit beings’
- first visit to 7th Day Adventist church
- began Garden Site archaeological dig
- locate, unearth, analyze, conclude, and rebury Solstice Site stones
- creation of the New Star
- discover Ravine Site
- launched IndianRock.art
- first visit to LDS church
- moved back to Colorado
- first visit to Universalist Unitarian church
- spirit visitation ‘Chief & Chiefess’
- analyze Leo’ John the Baptist
- analyze Leo’ Salvador Mundi
- analyze Leo’ Baptism of Christ
- analyze Leo’ The Last Supper
- spirit visitation ‘Angel choir’
- moved back to Missouri
- discover Keys Site lot #4
- moved back to Colorado
- discover Boulder, Colorado stones
- discover Pinery Parker, Colorado stones
- discover Denver, Colorado stones
- launched davinci4jesus.com
- discover stone #L4F11
- moved back to Missouri
- conclude phase1
- (some items were omitted from timeline, for reasons undisclosed.)
Completing the task, I unearth these stones in the name of the Great Spirit and for the indigenous tribes of the United States of America. …descendants of the Lamanite: The chosen ones.
Thank you, God.
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Mandelbrot Set
Everything is a reflection of everything else, and all exist in cycles: If you want to change the world, change the self. -paul
From darkness, comes the light.
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Lot #4 The Trader
Before this land was divided, IndianRock.art was part of a 600acre plot that was originally parceled out in the 1800s. Through some basic research and observation, I have come to the conclusion that the first settler homestead was located just a stone’s throw away, northwest of IndianRock.art, and their access road was just behind the Temple Site, east of the current drive, off of Airport Rd. I have found settler artifacts on the hilltop but nothing within the property lines of IndianRock.art. The only indication of previous inhabitance is the top-layer of carved stones scattered about the hillside. They number in the tens of thousands, and I suspect that there are layers beneath layers, under the topsoil. It is because of this likely theory that I am steering away from building permanent structures that might require earthwork or flatwork.
At Keys lot #4, some stones are more interesting than others. The following sketch and images highlight one of those stones and some of the key features that make it special.
Perhaps, a trader hones specific skills that enable him to become a proficient seeker of hidden truths. Throughout his years, he prepares, unknowingly, for a future discovery. His intuition becomes second nature and his faith: strengthened by experience. His steps become firm, steady, and eventually lead him to answer God’ calling.
The Keys Lot #4 – The Trader
IndianRock.art
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Phase1 in review 14
Here is another rock, submitted as evidence. It supports the phase1 hypothesis that confidently suggests: Someone, at an early point in time, quarried stones, carved into those stones, then left the carvings and tools; where then, I discovered them as undisturbed artifacts, some years later.
After handling a few thousand stones over the past several years, I’m looking forward to finalizing phase1. Within the next two posts, I’ll try and compose a detailed analysis including mostly everything that has unfolded. In addition to serving as an analysis, it’ll serve as my own referential chronological guide and as a foundational starting point for anyone that might come across a similar discovery.
IndianRock.art – Faith, Work, and Meditation – Left and right join together to cradle the precious stone. – Where God speaks, seer stones exist, and miracles happen. – Holy land of the ancient Lamanite prophet.
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The Garden and Genesis
The rising sun warms the fallen snow. And throughout the day, as shadow gives way to light, the potential possibility succumbs to the natural cycles of the inevitable.
It is in this moment that the seed germinates, and the dawn of the creative expression manifests itself. Within this creative expression dwells everything that was, is, and will be. This is the garden.
…and after some thought and ponder, I began to carve onto the stones: the foundational template of my righteous universe. Over a span, these results became cyclical, with no beginning or end. In this cycle exists all things, known and unknown. They are as real for me as they have become for you. This is an act of God; in which, I am created in the image of. I am man, and this is Genesis.
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Phase1 in review 13
Science and a Seer Stone
Without knowledge of its origin, critical evidence that supports a theory, or any fact-based contextualization that might help in drafting a presumable history, it is easy enough to dismiss this stone’s peculiar markings, by writing them off as natural occurrences, or discarding the stone, altogether, as a mere geofact. On the other hand, however, by believing that it is something more, it gains potential; therefore, allowing for spiritual transformation into, perhaps, the glorious enigma, or by way of a specific definition and certain criteria: a seer stone.
I gathered all of the stones that were unearthed around this larger base stone. They are, perhaps, what the evidence is proving them to be: the very tools that created the mysterious markings found on this stone.
The pictures below show how one stone fits a set of impressions found on the base stone, implying that it was used to help carve out the impressions.
By the guiding illumination emitting from the gleaming heavenly body, we will bear witness to the translation of the writing.
Thank you, God.
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Phase1 in review 12
Here is another stone tool that was used to finish the Hummingbird Stone.
The dance of light and shadow upon a piece is more important than the form, itself. …especially at IndianRock.art.
IndianRock.art Garden Site
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Phase1 in review 11
Here’s another example of a stone tablet and a tool, held and worked as it would have been in ancient times.
IndianRock.art – Garden Site