Indian Rock Art
IndianRock.art #L4F11 – IndianRock.art authenticated, Garden Site phase1, cni, ultra-rare, flawless, premium grade. Arguably, a primate in a seated position facing right and two bird heads facing left: one occupying positive space and the other occupying negative space.
IndianRock.art Stone #L4F11
IndianRock.art Dog Stone – IndianRock.art authenticated, rss, cni, rare, high grade
IndianRock.art – Dog Stone
IndianRock.art The Pinery Stones, The Pinery, Colorado. Collected on private residential construction lot w/prior permission from builder. IndianRock.art authenticated, rss, cni & petrification, ultra-rare, premium grade, flawless, revealing, set of approximately 30 carved stones of varying grades and sizes.
Just so everybody knows, I had left Missouri, not expecting to encounter these stones in Colorado. By this point, I was freaking out… losing my mind. I thought to myself, “The move was sort-of an escape. Why am I seeing these stones so far from Missouri?” It definitely reaffirmed my original belief that all of the stones had been worked; but more importantly, that there was a larger task at hand.
The Pinery, at Parker, Colorado is an affluent neighborhood, located southeast of Denver. I spent a few months installing some woodwork at a few locations east of the high school. To my knowledge, most of these stones were trucked in as part of a few loads to build a temp driveway or for an infill project. My guess is that the loader picked up the entire bunch in one scoop from a separate building site that was apparently occupied by the folks that carved these stones.
The images below are just a sample of the entire lot. Of course, these stones deserve a better presentation, because there is so much more to these particular specimens.
The sample below, entitled ‘The Jaguar’, is a great example of ‘Spin Art’, coined here first, at IndianRock.art. Notice the smooth areas B and C. There are other edges that are smoothed, as well. One, labeled ‘A’ in the image, is where the right hand holds the piece so that it is angled in such a way to where the intended result is revealed to the bearer. So then, holding the stone where the hand matches the other smoothed edges exposes other carvings that overlap other work. The final result is what you see here: a clear outline of a cat’s head, ear, and upper neck- but slightly broken up by seemingly chaotic shadows and lines. Add to this a useful purpose: a tool, then it explains exactly why this artform would have arose through the ages, in a time long ago. I haven’t fully analyzed most of the stones, including the ones here, from ‘The Pinery Collection’. I suspect that there are more stories to be discovered in each one of them. How fun is that?
Coined first here at IndianRock.art, I don’t have a lot of info on these ‘Story Teller’ stones, yet. From what I have gathered, though, is that they are props that help to tell intended stories. In essence, they are hand puppets, where the supporting hand acts as the lower jaw and the other hand pivots the stone, making it appear to be speaking! Why not, right? It makes sense. I have not found any of these ‘Story Tellers’, except for at The Pinery. (As a note: all stones may have come from an offsite location, on a dump truck, not sure.) I have at least three of these: bird, cat, and bear.
The Pinery Collection – only from IndianRock.art
IndianRock.art White Stone – IndianRock.art authenticated, common, rss, high grade, dream stone, composition not identified.
Interestingly and maybe a bit telling, I sleep with stones; that is, there are stones that my hands will hold onto, while I sleep, without letting go. This stone is one of those. I discovered it while on one of my adventures.
As far as sleeping with a stone in my hand, it was, at the time, the next logical step to take, in gaining answers to the many questions that arose.
White Stone
IndianRock.art Cornerstone 01- IndianRock.art authenticated, of God, seer stone, Urim & Thummim, flawless, ultra-rare, premium grade, composition not identified. Discovered along game trail.
This stone is as it was when it is was created. Its direct connection with the divine realm is apparent. If the Holy Grail were a stone, this would be it. By all accounts pertaining, it is the stone of stones.
“Truth, at last, cannot be hidden. Dissimulation is of no avail. Dissimulation is to no purpose, before so great a judge. Falsehood puts on a mask. Nothing is hidden under the sun.” – Leonardo da Vinci
Look not yon over one’s shoulder for Him to come, for He will come when He comes. Instead, look forward and love, as the children love. Find lessons in the moment. Learn and move forward. Move, whilst manifesting with your hands, His will and purpose. Allow Him to rise in you by you always seeking Him. This is the way. – Paul S Marak
Thank you, God.
IndianRock.art Cornerstone 01- IndianRock.art authenticated, of God, seer stone, Urim & Thummim, flawless, ultra-rare, premium grade, composition not identified. Discovered along game trail.
Lamanite
IndianRock.art translucent skull knife – random surface stone(rss), ultra-rare, translucent, knapped, flawless, medium grade, composition not identified
This is the only carved translucent stone at IndianRock.art and only one of a few stones that shows signs of knapping in the entire bunch. It is extremely rare, beautiful, and holds a sharp edge.
IndianRock.art – Translucent Skull Knife
Let there be light.
IndianRock.art Alligator-head Stone – Rare, Medium Grade, IndianRock.art authenticated random surface stone.
from the stone
Perhaps, all exists in the records, and all of the records are cut into the stones.
There are a male and female depicted in the stones at IndianRock.art. I have seen their carved faces on several occasions. They are shown here as old-aged and appear to be disfigured or in a state of degradation or decomposition. The female is gazing to the right. She is slender, with subtle cheek bones, small nose, and hardly a chin-line. Looking to the left, is the male. He appears shorter than her but larger in diameter. His nose is large with a mole or a stud jewel. He has high cheek bones, prominent brow-line, and a slightly protruding forehead.
The CC2 stone was discovered directly after locating the Indianhead Site, where the first CC stone was unearthed. Both of them were found separate, leaning against a larger stone and in the same manner.
Based on my own observations and records, I’ve come to the conclusion that the shape and contours of this stone are not accidental. They are causal and symbolic, utilitarian and spiritual. The stone is a tool, not only in the physical sense: The stone is a spiritual tool, as well. It is, to the artisan, a concrete connection to his work. Also, in the focused meditation of his repetitive movements, it became an echo of the journey that is the memory of his life- carved out in the distant past; and now, reverberating in the present time.
Notice that the overall shape mirrors the geometry of the New Star. This is no coincidence. The #CC2 stone was a tool used by an ancient stone carver- 100% authentic and 100% IndianRock.art.
Chief/Chiefess Stone #CC2
from the stone
Alone in God’ wilderness, he sought the truth. He asked the question, not for himself, but in regard to the salvatory path of humanity: “Which is the way?”
Confusion is a result of vibrational distortion: a lack of optimum clarity. One cannot find the way, if one does not learn to identify the interference. Learn to move with intention, down to the molecular and even the atomic. Observe and recognize. See past the synthesized misrepresentation of the substance that is referred to as ‘reality’. Build your faith by seeking God, from the heart and for the heart. Understand that you are not complete, as no one is made whole without unity of the spirit with the divine source.
Reunifying the nearly six-hundred indigenous tribes of the United States of America: Before the many stories, there was one story.
Within their own stories, the indigenous people of the United States of America speak of the stones: that the spirit of their forefathers exist in the stones and that the stones retain an ancestral history. If true, what are the perimeters that help to facilitate this process, and how does one retrieve information from these stones? – phase1 Garden Site Hypothesis: A people in the distant past- quarried stones, carved into those stones, then left the carvings and the tools; where then, I unearthed them, undisturbed, in the present time.
phase1 Post Analysis Summary
On a rocky hilltop in the Ozark forest of southern Missouri, I planted a garden. In that garden, I discovered some stones. One thing led to another. Amidst that journey: God spoke, the Christ rose, and Leonardo da Vinci revealed. Reborn anew- are a star, sacred geometry, and an ancestral knowledge. And there, upon the stones, is the dance of shadow and light. It is within this, that the restless spirit of an ancestral people communicate: through a complex and measurable expression that I refer to as ‘Indian Rock Art’. More can be found at https://indianrock.art./blog
In addition to the forementioned, I gathered substantial hard evidence that supports the IndianRock.art phase1 hypothesis, as sampled in the images below and in a series of posts found at https://indianrock.art/category/garden-site. I encourage all go and view the findings for yourselves, if you haven’t already.
phase1 Conclusion
All of the evidence presented lends itself to proving that the Garden Site is a work area, where a carver carved into stones with stone tools. That carver, then, left the carving and the tools exactly how I unearthed them, minus a slight disturbance from a tree growing within close proximity. Additionally, above all of the presented physical evidence, there is an extraordinary spiritual and religious aspect: a supernatural phenomenon involving a new star, synchronicities, improbable geometric parallels, an artistic style evidently never officially documented in the archaeological record, and the remarkable, albeit unconventional, decoding of Leonardo da Vinci’ religious works! That’s a bunch to digest, I know. I do apologize; and at the same time, am obligated to laying it out as it presents itself. …to a safe degree, of course.
And while I’m laying it out there: there is a huge ‘Samuel the Lamanite’ element and a direct connection with the earlier days of Joseph Smith Jr. As for me, this is not open for discussion; other than to say, “Joseph is my friend, and without what God allowed him to do then, He would not have ask me to do these things today. This goes double for Leonardo da Vinci and for the ancient people that carved into all of the stones. How ever that measures out, I remain on the right side of God.”
phase1 Final Words
Not unlike the very person that carved into these stones: The divine union between the artisan and his work, specifically a carpenter or stone mason, help him to transcend beyond the boundaries that attempt to hide truths that would otherwise free humanity from the self-prescribed enslavement that has sadly become a mass societal norm. …breathe, then seek inward.
The stone is real, God lives, and the Christ comes.
Timeline 2020-2026
Completing the task, I unearth these stones in the name of the Great Spirit and for the indigenous tribes of the United States of America. …descendants of the Lamanite: The chosen ones.
Thank you, God.